Channel Title: John Carpenter Channel Description: John Carpenter Official Artist Channel. John Carpenter has been responsible for much of the horror genre’s most striking soundtrack work in the fifteen movies he’s both directed and scored. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. It’s work that instantly floods his fans’ musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fu fighters, or a mirror holding the gateway to hell. <video> John Carpenter, Cody Carpenter and Daniel Davies - Chariots of Pumpkins (Official Visualizer) Description: From the album "Anthology II: Movie Themes 1976-1988", out now on Sacred Bones Records. Listen / buy : lnk.to/JCAnthologyII Animator: lilfuchs By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction. Anthology II (Movie Themes 1976-1988) continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter. The compilation includes selections from Escape From New York, Big Trouble in Little China, The Thing, They Live, Assault on Precinct 13, Prince of Darkness, The Fog, Halloween (and its sequels), and beyond. Among its highlights are the three lost cues from The Thing, previously unreleased and now re-recorded. The Thing marks one of the rare occasions that John Carpenter stepped away from scoring duties and entrusted the task to another composer, the legendary Ennio Morricone. Upon receiving Morricone’s score Carpenter felt that the film would benefit from the inclusion of additional music and took the initiative to record and insert multiple synth driven cues. Anthology II (Movie Themes 1976-1988) represents just a fraction of John Carpenter's impressive musical repertoire. His ability to capture the essence of his films through evocative melodies, atmospheric soundscapes, and innovative use of synths has solidified his status as one of the most influential composers in the history of cinema. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history. Follow John Carpenter: https://www.instagram.com/johncarpenterofficial https://twitter.com/TheHorrorMaster https://www.facebook.com/JohnCarpenterTheMasterofHorror </video> <video> Out today! He Walks By Night from forthcoming album Lost Themes IV: Noir @sacredbonesrecords Description: </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - He Walks By Night (Official Visualizer) Description: From the album "Lost Themes IV: Noir", out now on Sacred Bones Records. Listen / buy: https://lnk.to/LTIVNoir Animation by Boneface https://www.boneface.co.uk/ It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.” The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results. </video> <video> Halloween: Original Motion Picture Soundtrack vinyl playback Description: A very special LP playback of Halloween OST by John Carpenter, Cody Carpenter and Daniel Davies. Video by @jawshy4eva The first film in the canon with creator John Carpenter’s direct involvement since 1982’s Halloween III: Season of the Witch, Carpenter serves on the new David Gordon Green-directed installment as an executive producer, a creative consultant, and, thrillingly, as a soundtrack composer, alongside his collaborators from his three recent solo albums, Cody Carpenter and Daniel Davies. The soundtrack pays homage to the classic Halloween score that Carpenter composed and recorded in 1978, when he forever changed the course of horror cinema and synthesizer music with his low-budget masterpiece. Several new versions of the iconic main theme serve as the pulse of Green’s film, its familiar 5/4 refrain stabbing through the soundtrack like the Shape’s knife. The rest of the soundtrack is just as enthralling, incorporating everything from atmospheric synth whooshes to eerie piano-driven pieces to skittering electronic percussion. While the new score was made with a few more resources than Carpenter’s famously shoestring original, its musical spirit was preserved. 0:00 Intro 1:15 Halloween Theme 4:20 Laurie's Theme 5:06 Prison Montage 7:53 Michael Kills 8:27 Michael Kills Again 12:13 The Shape Returns 15:46 The Bogeyman 16:53 The Shape Kills 17:44 Laurie Sees the Shape 18:58 Wrought Iron Fence 19:46 The Shape Hunts Allyson 20:41 Allyson Discovered 22:08 Say Something 25:11 Ray's Goodbye 26:51 The Shape is Monumental 28:49 The Shape and Laurie Fight 30:44 The Grind 32:37 Trap the Shape 34:48 The Shape Burns 36:20 Halloween Triumphant </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - 69th St. Bridge (Official Visualizer) Description: From the album "Anthology II: Movie Themes 1976-1988", out now on Sacred Bones Records. Listen / buy : lnk.to/JCAnthologyII Animator: lilfuchs By now everyone should know, John Carpenter is not only a celebrated filmmaker but also a musical maestro whose soundtracks have become synonymous with the genres of horror, suspense, and science fiction. Anthology II (Movie Themes 1976-1988) continues the celebration of his compositional genius via an excellently sequenced collection of some of his most iconic pieces of music from his extensive filmography, all newly recorded with his musical collaborators Daniel Davies and Cody Carpenter. The compilation includes selections from Escape From New York, Big Trouble in Little China, The Thing, They Live, Assault on Precinct 13, Prince of Darkness, The Fog, Halloween (and its sequels), and beyond. Among its highlights are the three lost cues from The Thing, previously unreleased and now re-recorded. The Thing marks one of the rare occasions that John Carpenter stepped away from scoring duties and entrusted the task to another composer, the legendary Ennio Morricone. Upon receiving Morricone’s score Carpenter felt that the film would benefit from the inclusion of additional music and took the initiative to record and insert multiple synth driven cues. Anthology II (Movie Themes 1976-1988) represents just a fraction of John Carpenter's impressive musical repertoire. His ability to capture the essence of his films through evocative melodies, atmospheric soundscapes, and innovative use of synths has solidified his status as one of the most influential composers in the history of cinema. With each haunting note and pulsating beat, his soundtracks continue to resonate with audiences, forever etching his name in the annals of film music history. Follow John Carpenter: https://www.instagram.com/johncarpenterofficial https://twitter.com/TheHorrorMaster https://www.facebook.com/directorjohncarpenter </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - The Procession (Official Audio) Halloween Ends Description: From the album "Halloween Ends OST", out now on Sacred Bones Records. Stream / buy: lnk.to/HalloweenEnds After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. When the franchise relaunched in 2018, Halloween shattered box office records, becoming the franchise’s highest-grossing chapter and set a new record for the biggest opening weekend for a horror film starring a woman. In 2021, Halloween Kills earned the biggest opening weekend for any horror film in the pandemic era and simultaneously set a new record for a non-live event premiere streaming on Peacock. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Together they once again bring the celebrated music score to the horror movie series, one of the most distinctive aspects of the franchise to date. Similarly to the last two soundtracks, Halloween Ends was recorded in its entirety at John Carpenter’s home studio and Daniel’s studio. “The three of us compose, perform, and record all the music, and everything is mixed by Daniel together with John Spiker” says John Carpenter. The unmistakable mix of software synths, vintage analogue equipment, and live instrumentation is utilized once again to provide the signature sound of Halloween. However, rumors have it that Halloween Ends is going to be somewhat different from the previous two films in the trilogy. With that comes an expanded soundtrack, one that matches the tone of a tangible rise in stakes and conveys the climatic feel of the film. The soundtrack of the third installment broadens old themes whilst creating new ones in an effort to bring renewed life to one of the most epic horror scores ever written. Carpenter elaborates, “The main themes have all been passed down from the original Halloween. We have refined them and created new themes for new characters.” The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter’s other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score’s more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Carpenter is known for directing the original 1978 Halloween, as well as other horror classics like The Thing, The Fog, Escape From New York, Christine, Big Trouble in Little China, and They Live. However John Carpenter is not only a cult movie-maker, he’s also a pioneering electronic composer. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you. </video> <video> Halloween Kills OST vinyl playback Description: This event was held as an advanced listening on Thursday, October 14 and featured a Q&A with John Carpenter, Cody Carpenter and Daniel Davies. Video by @jawshy4eva Halloween Kills OST is out now on Sacred Bones Records. Buy here: https://linktr.ee/halloweenkillsost 0:00 Logos Kill 1:22 Halloween Kills (Main Title) 3:08 The Myer's House 3:50 First Attack 4:48 Stand Off 6:30 Let It Burn 7:43 He Appears 8:43 From The Fire 10:02 Strodes At The Hospital 12:28 Cruel Intentions 15:06 Gather The Mob 16:17 Rampage 20:15 Frank And Laurie 22:05 Hallway Madness 23:43 It Needs To Die 30:35 Reflection 32:03 Unkillable 35:47 Payback 38:19 Michael's Legend 40:56 Halloween Kills (End Titles) It’s just five notes plucked out on a piano, so sparsely arranged that it feels like barely more than a sketch, so simple that an untrained player can easily pick it up, but it’s one of cinema’s greatest musical accomplishments. By now, John Carpenter’s hypnotic theme to his 1978 horror masterpiece Halloween has embodied slasher-stalker anxiety for generations of filmgoers, and woven itself so into pop culture that it’s become musical shorthand for the entire horror genre. And like the seemingly unkillable Michael Meyers, it’s back once again. In 2018, Carpenter returned to the franchise his iconic creation spawned for the first time since 1982’s Halloween III: Season of the Witch, erasing the 40 years of sequels and reboots that happened under other filmmakers, and returning the story to his original vision. While directing duties for the new Halloween and its sequels have been turned over to David Gordon Green, Carpenter has stayed on to provide them with their unmistakable sonic identity, as integral to Halloween as Michael Meyers’ death’s-face mask and glimmering butcher knife. Carpenter has been composing and recording his own scores since he created the soundtrack to his first film, 1974’s Dark Star, on a EMS VCS 3 modular synthesizer. While originally a cost-cutting measure, he continued scoring most of his films even after he started making multiplex staples in the 80s and 90s, with the soundtracks to the Halloween series, They Live, and Escape from New York becoming classics in their own right. Over the past two decades, Carpenter’s directed only one feature (The Ward in 2010), but during that time he’s come to be recognized as much for his musical vision as his filmography. His boldly assertive compositions and pioneering use of synthesizers have inspired musicians in cinema and far beyond. His influence has been felt from the underground to pop radio, and played a foundational role in the modern synthwave movement. Since 2015, Carpenter’s released three albums of original music on Sacred Bones, created alongside Cody Carpenter and Daniel Davies, with remixes provided by some of his more notable fans. Like the film itself, Carpenter’s score to the second installment of the new Halloween trilogy, Halloween Kills, stays true to the spirit of what made the 1978 original great while bringing it firmly into the present. The music is unmistakably Carpenter: the sinister vintage synth tones, the breath-stealing sense of menace that he conjures with just a few dissonant notes. But with a broader sonic palette, new digital techniques at his disposal, and a deeper sense of musicality, the Halloween Kills score is the work of a master artist who nearly 50 years into his career continues to push his creative limits and find new ways to thrill and terrify his fans. </video> <video> Anthology II, out October 6! Description: </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - My Name is Death (Official Video) Description: From the album "Lost Themes IV: Noir", out now on Sacred Bones Records. Listen / buy: https://lnk.to/LTIVNoir Starring: John Carpenter, Cody Carpenter & Daniel Davies Staz & Misha Lindes Natalie Mering Directed by: Ambar Navarro Produced by: Hannah Kinlaw DP: Max Flick Pre Production AD: Dan Hanson Production Coordinator: Corrie Zaccaria 1st AC: Michelle Alanis Gaffer: Danner Gardner Key Grip: Trevor Hollander Stylist: Kiki Stash Hair & Makeup: Leticia Llesmin BTS Stills: Cloudy Thoughts PA/Art Assistants: Matthew Rielly & Danz Johnson Prop Car: Joseph Rincon Location: The Pink Box Studio Titles: Mike Pargas Art Driver: Richard Sanchez Breakfast Catering: Cosmic Vinyl Special Thanks: Liquid Death https://www.instagram.com/johncarpenterofficial/ https://www.tiktok.com/@johncarpenterofficial https://www.facebook.com/directorjohncarpenter https://twitter.com/thehorrormaster It’s been a decade since John Carpenter recorded the material that would become Lost Themes, his debut album of non-film music and the opening salvo in one of Hollywood’s great second acts. Those vibrant, synth-driven songs, made in collaboration with his son Cody Carpenter and godson Daniel Davies, kickstarted a musical renaissance for the pioneering composer and director. In the years since, Carpenter, Carpenter, and Davies have released close to a dozen musical projects, including a growing library of studio albums and the scores for David Gordon Green’s trilogy of Halloween reboots. With Lost Themes IV: Noir, they’ve struck gold again, this time mining the rich history of the film noir genre for inspiration. Since the first Lost Themes, John has referred to these compositions as “soundtracks for the movies in your mind.” On the fourth installment in the series, those movies are noirs. Like the film genre they were influenced by, what makes these songs “noirish” is sometimes slippery and hard to define, and not merely reducible to a collection of tropes. The scores for the great American noir pictures were largely orchestral, while the Carpenters and Davies work off a sturdy synth-and-guitar backbone. The noir quality, then, is something you understand instinctively when you hear it. “Some of the music is heavy guitar riffs, which is not in old noir films,” Davies notes. “But somehow, it’s connected in an emotional way.” The trio’s free-flowing chemistry means Lost Themes IV: Noir runs like a well-oiled machine—the 1951 Jaguar XK120 Roadster from Kiss Me Deadly, perhaps, or the 1958 Plymouth Fury from John’s own Christine. It’s a chemistry that’s helped power one of the most productive stretches of John’s creative life, and Noir proves that it’s nowhere near done yielding brilliant results. </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - The Junk Yard (Official Audio) Halloween Ends Description: From the album "Halloween Ends OST", out now on Sacred Bones Records. Stream / buy: lnk.to/HalloweenEnds After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before, one where only one of them will survive. When the franchise relaunched in 2018, Halloween shattered box office records, becoming the franchise’s highest-grossing chapter and set a new record for the biggest opening weekend for a horror film starring a woman. In 2021, Halloween Kills earned the biggest opening weekend for any horror film in the pandemic era and simultaneously set a new record for a non-live event premiere streaming on Peacock. As Halloween Ends marks the last chapter of the David Gordon Green trilogy, so it ushers the essential return of original director and composer John Carpenter to score the iconically hair-raising soundtrack alongside Cody Carpenter and Daniel Davies. Together they once again bring the celebrated music score to the horror movie series, one of the most distinctive aspects of the franchise to date. Similarly to the last two soundtracks, Halloween Ends was recorded in its entirety at John Carpenter’s home studio and Daniel’s studio. “The three of us compose, perform, and record all the music, and everything is mixed by Daniel together with John Spiker” says John Carpenter. The unmistakable mix of software synths, vintage analogue equipment, and live instrumentation is utilized once again to provide the signature sound of Halloween. However, rumors have it that Halloween Ends is going to be somewhat different from the previous two films in the trilogy. With that comes an expanded soundtrack, one that matches the tone of a tangible rise in stakes and conveys the climatic feel of the film. The soundtrack of the third installment broadens old themes whilst creating new ones in an effort to bring renewed life to one of the most epic horror scores ever written. Carpenter elaborates, “The main themes have all been passed down from the original Halloween. We have refined them and created new themes for new characters.” The soundtrack was tracked scene by scene but the album itself plays like a standalone piece of music. The general atmosphere is one of dread yet the record includes some groove laden moments reminiscent of Escape From New York or some of Carpenter’s other more dance-able scores. Exquisite and delicate ambient pieces weave their way between some of the score’s more arresting moments and yet maintain a subtle pop sensibility. The overall achievement showcases three master musicians, one of whom invented the entire horror-synth genre, crafting an evocative, playful and deeply listenable score that honors a legacy and expands on the decades of work that have been leading to this triumphant climax. Carpenter is known for directing the original 1978 Halloween, as well as other horror classics like The Thing, The Fog, Escape From New York, Christine, Big Trouble in Little China, and They Live. However John Carpenter is not only a cult movie-maker, he’s also a pioneering electronic composer. Halloween Ends is the soundtrack of the final battle against evil. Watch your back this Halloween, Michael may be near you. </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - Michael's Legend (Official Audio) Halloween Kills Description: From the album "Halloween Kills OST", out now on Sacred Bones Records. Buy here: https://geni.us/HalloweenKills It’s just five notes plucked out on a piano, so sparsely arranged that it feels like barely more than a sketch, so simple that an untrained player can easily pick it up, but it’s one of cinema’s greatest musical accomplishments. By now, John Carpenter’s hypnotic theme to his 1978 horror masterpiece Halloween has embodied slasher-stalker anxiety for generations of filmgoers, and woven itself so into pop culture that it’s become musical shorthand for the entire horror genre. And like the seemingly unkillable Michael Meyers, it’s back once again. In 2018, Carpenter returned to the franchise his iconic creation spawned for the first time since 1982’s Halloween III: Season of the Witch, erasing the 40 years of sequels and reboots that happened under other filmmakers, and returning the story to his original vision. While directing duties for the new Halloween and its sequels have been turned over to David Gordon Green, Carpenter has stayed on to provide them with their unmistakable sonic identity, as integral to Halloween as Michael Meyers’ death’s-face mask and glimmering butcher knife. Carpenter has been composing and recording his own scores since he created the soundtrack to his first film, 1974’s Dark Star, on a EMS VCS 3 modular synthesizer. While originally a cost-cutting measure, he continued scoring most of his films even after he started making multiplex staples in the 80s and 90s, with the soundtracks to the Halloween series, They Live, and Escape from New York becoming classics in their own right. Over the past two decades, Carpenter’s directed only one feature (The Ward in 2010), but during that time he’s come to be recognized as much for his musical vision as his filmography. His boldly assertive compositions and pioneering use of synthesizers have inspired musicians in cinema and far beyond. His influence has been felt from the underground to pop radio, and played a foundational role in the modern synthwave movement. Since 2015, Carpenter’s released three albums of original music on Sacred Bones, created alongside Cody Carpenter and Daniel Davies, with remixes provided by some of his more notable fans. Like the film itself, Carpenter’s score to the second installment of the new Halloween trilogy, Halloween Kills, stays true to the spirit of what made the 1978 original great while bringing it firmly into the present. The music is unmistakably Carpenter: the sinister vintage synth tones, the breath-stealing sense of menace that he conjures with just a few dissonant notes. But with a broader sonic palette, new digital techniques at his disposal, and a deeper sense of musicality, the Halloween Kills score is the work of a master artist who nearly 50 years into his career continues to push his creative limits and find new ways to thrill and terrify his fans. </video> <video> Out now! The new album Lost Themes IV: Noir via @sacredbonesrecords Description: </video> <video> My Name is Death, the new single and music video out now starring @weyesblood, Staz & Misha Lindes. Description: </video> <video> John Carpenter, Cody Carpenter and Daniel Davies - Rampage (Official Audio) Halloween Kills OST Description: From the "Halloween Kills OST", out now on Sacred Bones Records. Buy here: https://geni.us/HalloweenKills It’s just five notes plucked out on a piano, so sparsely arranged that it feels like barely more than a sketch, so simple that an untrained player can easily pick it up, but it’s one of cinema’s greatest musical accomplishments. By now, John Carpenter’s hypnotic theme to his 1978 horror masterpiece Halloween has embodied slasher-stalker anxiety for generations of filmgoers, and woven itself so into pop culture that it’s become musical shorthand for the entire horror genre. And like the seemingly unkillable Michael Meyers, it’s back once again. In 2018, Carpenter returned to the franchise his iconic creation spawned for the first time since 1982’s Halloween III: Season of the Witch, erasing the 40 years of sequels and reboots that happened under other filmmakers, and returning the story to his original vision. While directing duties for the new Halloween and its sequels have been turned over to David Gordon Green, Carpenter has stayed on to provide them with their unmistakable sonic identity, as integral to Halloween as Michael Meyers’ death’s-face mask and glimmering butcher knife. Carpenter has been composing and recording his own scores since he created the soundtrack to his first film, 1974’s Dark Star, on a EMS VCS 3 modular synthesizer. While originally a cost-cutting measure, he continued scoring most of his films even after he started making multiplex staples in the 80s and 90s, with the soundtracks to the Halloween series, They Live, and Escape from New York becoming classics in their own right. Over the past two decades, Carpenter’s directed only one feature (The Ward in 2010), but during that time he’s come to be recognized as much for his musical vision as his filmography. His boldly assertive compositions and pioneering use of synthesizers have inspired musicians in cinema and far beyond. His influence has been felt from the underground to pop radio, and played a foundational role in the modern synthwave movement. Since 2015, Carpenter’s released three albums of original music on Sacred Bones, created alongside Cody Carpenter and Daniel Davies, with remixes provided by some of his more notable fans. Like the film itself, Carpenter’s score to the second installment of the new Halloween trilogy, Halloween Kills, stays true to the spirit of what made the 1978 original great while bringing it firmly into the present. The music is unmistakably Carpenter: the sinister vintage synth tones, the breath-stealing sense of menace that he conjures with just a few dissonant notes. But with a broader sonic palette, new digital techniques at his disposal, and a deeper sense of musicality, the Halloween Kills score is the work of a master artist who nearly 50 years into his career continues to push his creative limits and find new ways to thrill and terrify his fans. </video>

Contacts and Links

Description

John Carpenter Official Artist Channel. John Carpenter has been responsible for much of the horror genre’s most striking soundtrack work in the fifteen movies he’s both directed and scored. The themes that drive them can be stripped to a few coldly repeating notes, take on the electrifying thunder of a rock concert, or submerge themselves into exotic, unholy miasmas. It’s work that instantly floods his fans’ musical memory with imagery of a menacing shape stalking a babysitter, a relentless wall of ghost-filled fog, lightning-fisted kung fu fighters, or a mirror holding the gateway to hell.

Videos from channel